Renee LeGrand, of Foothill Ranch, Calif., takes a picture among wildflowers in bloom Monday, March 18, 2019, in Lake Elsinore, Calif. About 150,000 people flocked over the weekend to see this year's rain-fed flaming orange patches of poppies lighting up the hillsides near Lake Elsinore, a city of about 60,000 residents. The crowds became so bad Sunday that Lake Elsinore officials closed access to poppy-blanketed Walker Canyon. By Monday the #poppyshutdown announced by the city on Twitter was over and the road to the canyon was re-opened. (Photo by Gregory Bull/AP Photo)

The face of a graduating student is displayed on a tablet attached to a robot during a “cyber graduation” ceremony at a school on May 22, 2020 in Taguig, Metro Manila, Philippines. Robots represented some 179 graduating students of the Senator Rene Cayetano Science and Technology High School during a graduation ceremony that was streamed online, as mass gatherings remain prohibited in the country under the Philippine government's lockdown to curb the spread of the coronavirus. The robots were developed by alumni of the school's robotics club, which used tablets to display the faces of the graduating students as they “marched” on stage to receive their diplomas. The Philippines' Department of Health has so far reported 13,434 cases of the coronavirus in the country, with at least 846 recorded fatalities. (Photo by Ezra Acayan/Getty Images)

A tea garden worker plucks tea leaves inside Aideobarie Tea Estate in Jorhat in Assam, India, April 21, 2015. Unrest is brewing among Assam's so-called Tea Tribes as changing weather patterns upset the economics of the industry. Scientists say climate change is to blame for uneven rainfall that is cutting yields and lifting costs for tea firms. (Photo by Ahmad Masood/Reuters)

Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

A Syrian migrant family enters Hungary at the border with Serbia near Roszke, Hungary August 28, 2015. As Europe struggles with its worst migrant crisis since World War II, Hungary has become, like Italy and Greece, a “frontline” state. So far this year, police say around 141,500 migrants have been intercepted crossing into Hungary, mostly from neighbouring Serbia. (Photo by Bernadett Szabo/Reuters)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Some creations from the new “Funny Food Made Easy” book by Bill and Claire Wurtzel. “Inspiring kids to eat healthy foods with creative works of plate art and easy-to-follow instructions and illustrations. Through finished plate art, detailed step-by-step illustrations, recipes, and tips, Funny Food Made Easy provides all you and your kids need to make, eat, and enjoy healthy breakfasts, lunches, and snacks” – roughly speaking so. Here: Egg, cucumber, olive. (Photo by Bill and Claire Wurtzel/Welcome Books)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)