A man steers with his legs while riding a motorcycle on a road in Vietnam's northern Hoa Binh province, outside Hanoi, October 15, 2015. (Photo by Reuters/Kham)

A tree is silhouetted against a light display during the The Magical Lantern Festival marking the Chinese new year at Chiswick House in London, Britain January 18, 2017. (Photo by Neil Hall/Reuters)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

The world's biggest copy of the Mona Lisa is unveiled on October 28, 2009 in Wrexham, Wales The giant version of Leonardo da Vinci's masterpiece measures 17.5 metres across and is 50 times bigger than the original painting and was created by community groups in Wrexham and artist Katy Webster. (Photo by Christopher Furlong/Getty Images)

LONDON - JUNE 04: A piece entitled “Entrance into wood” by Elke Krystufek goes on show at The Royal Academy Summer Exhibition on June 4, 2008 in London. In it's 240th year, the exhibition displays a wide range of recent work by both established and emerging artists. 10,000 artists submitted work for selection this year. (Photo by Peter Macdiarmid/Getty Images)

A reveller smeared in vermilion powder celebrates the Bisket Jatra Festival in Thimi in the Bhaktapur District on the outskirts of Kathmandu on April 15, 2023. (Photo by Prakash Mathema/AFP Photo)

Australian surfer Sally Fitzgibbons rides a wave during the 2023 ISA World Surfing Games at the El Tunco beach in El Salvador on June 6, 2023. (Photo by Marvin Recinos/AFP Photo)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)