Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

An old toilet is displayed during the “Toilet!? Human Waste and Earth's Future” exhibition at The National Museum of Emerging Science and Innovation – Miraikan on July 1, 2014 in Tokyo, Japan. The exhibition focuses on how the toilet has changed our daily lives and discovers what the most environment-friendly and ideal toilet is. (Photo by Keith Tsuji/Getty Images)

“Noh, or Nogaku – derived from the Japanese word for “skill” or “talent” – is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh “performance day” lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyōgen play in between”. – Wikipedia

Photo: A renowned Noh actor, Otoshige Sakai, demostrates how to put on a Noh mask, on May 17, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Tsewang Dolma, 33, a farmer and housewife poses for a photograph in Matho, a village nestled high in the Indian Himalayas, India September 29, 2016. When asked how living in the world's fastest growing major economy had affected life, Dolma replied: “Our culture is spoiled now. We don't wear our traditional dress”. (Photo by Cathal McNaughton/Reuters)

Japanese artist Megumi Igarashi, known as Rokudenashiko, holds her artwork after a news conference following a court appearance in Tokyo April 15, 2015. A Japanese artist on trial for obscenity after making figurines and a kayak modeled on her v*gina said on Wednesday that there was nothing wrong with her artwork and her arrest merely showed how far Japan remains behind the west. Words in the artwork read “Centre. 3D scan”. (Photo by Toru Hanai/Reuters)

Brain-on-a-chip. Dazzling in green and magenta this image shows the nerve fibres (in green) produced by neural stem cells (in magenta) as they grow on a synthetic gel. Captured by a technique known as confocal microscopy, the image is part of research shedding light on how tinkering with the environment can affect the way in which nerve fibres grow. (Photo by Collin Edington and Iris Lee/Massachusetts Institute of Technology/Wellcome Images)