“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

“A meteor streaked across the sky above Russia's Ural Mountains on Friday morning, causing sharp explosions and injuring more than 500 people (20 had been hospitalized in serious condition), many of them hurt by broken glass. “There was panic. People had no idea what was happening. Everyone was going around to people's houses to check if they were OK”, said Sergey Hametov, a resident of Chelyabinsk, about 1500 kilometres (930 miles) east of Moscow, the biggest city in the affected region”. (Photo by Alexey Bulaew/RIA Nowosti)

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

“Alice in Waterland” is a beautiful series of photographs re-imagining the Lewis Carroll classic underwater. It’s a creation of photographer Elena Kalis, who lives on a small island in The Bahamas, surrounded, she says, “by pristine clear warm water. Underwater is where I spend a lot of time; snorkeling, diving, photographing. It is fascinating how the world changes down below: light, sound, gravity and proportions are different from what we are used to”. (Photo by Elena Kalis)

KidZania provides children and their parents a safe, unique, and very realistic educational environment that allows kids between the ages of four to twelve to do what comes naturally to them: role-playing by mimicking traditionally adult activities. As in the real world, children perform “jobs” and are either paid for their work (as a fireman, doctor, police officer, journalist, shopkeeper, etc.) or pay to shop or to be entertained. The indoor theme park is a city built to scale for children, complete with buildings, paved streets, vehicles, a functioning economy, and recognizable destinations in the form of “establishments” sponsored and branded by leading multi-national and local brands.