A peacock walks next to the Monastery of the Holy Apostles, on the shore of the Sea of Galilee, northern Israel November 30, 2016. About 1 million tourists from abroad visit the Sea of Galilee, also known as Lake Tiberias or Kinneret, each year, according to the Israeli Tourism Ministry. (Photo by Ronen Zvulun/Reuters)

Artist Sayna Soleimanpour performs a photoshoot in protest against the mistreatment and alienation of Turkish women based on their clothing, during a two-day curfew amid the spread of the coronavirus disease (COVID-19), on a deserted street in Istanbul, Turkey, early December 6, 2020. (Photo by Umit Bektas/Reuters)

A woman sits on the rubble of her house in the aftermath of a deadly earthquake in Kahramanmaras, Turkey on February 14, 2023. (Photo by Nir Elias/Reuters)

A woman waits outside a shop wearing protective gear due to the COVID-19 pandemic in downtown Lima, Peru, Monday, July 6, 2020. (Photo by Rodrigo Abd/AP Photo)

It looks like the cute teddybear-shaped food trend is continuing. A Japanese designer has come up with the most adorable way to enjoy toast. The clever invention is a toast stamp that seamlessly morphs your bread into a teddybear.

Well before Corey Arnold ever thought about photography, he fished. As a child, he dressed as a fisherman for four consecutive Halloweens, and once brought a dead 3-foot Mako shark to school for show-and-tell. He knew he wanted to be a professional fisherman, even if he didn’t understand what that actually meant.

An artist has gone to incredible lengths to paint several iconic album covers on her own face. London-based artist Natalie Sharp wanted to celebrate Record Store Day in a unique way, and asked her Facebook friends for suggestions about which album covers to paint. She was overwhelmed with responses, and as a result painted 40 different album covers on her face, including Nirvana's “Nevermind”, King Crimson's “The Court of the Crimson King”, and “Melt” by Peter Gabriel. Here: King Crimson album. “In fact, I barely used by brushes for King Crimson; I would just keep smudging it with my fingers”. (Photo by Natalie Sharp/Caters News)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)