A police officer from an explosive disposal unit takes part in a security drill ahead of next year's general election in Sidoarjo, East Java, on August 23, 2023. (Photo by Juni Kriswanto/AFP Photo)

Models backstage ahead of the St George New Generation show at Mercedes-Benz Fashion Week Australia 2015 at Carriageworks on April 16, 2015 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)

Bristol celebrates “wonderful diversity” at St Paul's carnival on Saturday, July 6, 2019. Thousands filled the streets for the city’s 51st procession highlighting the contribution of the Windrush generation. (Photo by Alex Turner/The Guardian)

In this handout image provided by the Ferrari press office, a general view of the Ferrari steering wheel and operating controls as the new Ferrari F2012 Formula one car is launched online on February 03, 2012. (Photo by Ferrari Press Office via Getty Images)

Commuters watch after their train was blocked by leftist activists at a railway station during a nationwide general strike against the policies of the central government in Kolkata on March 28, 2022. (Photo by Dibyangshu Sarkar/AFP Photo)

Women walk towards a polling station to cast their ballot during the first phase of voting for the India's general elections in Parbatsar in Rajasthan, on April 19, 2024. (Photo by Himanshu Sharma/AFP Photo)

Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)