Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Alee Harrison, 13, wears the tv series “Doctor Who” on her legs as she works on a painting for Operation Blue Pride. (Photo by Greg Lovett/The Palm Beach Post)

American actress Vanessa Hudgens attends Beyoncé's “Renaissance” concert in Los Angeles on September 4, 2023. (Photo by vanessahudgens/Instagram)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

People walk past the Sleepwalker, a sculpture along the High Line in New York, US on May 10, 2016. The hyperrealistic work by Brooklyn artist Tony Matelli is part of the linear park’s Wanderlust exhibition. (Photo by Xinhua/Barcroft Images)

A cow covered with foam scavenges in the waste left on the banks of the polluted Yamuna river in New Delhi on October 10, 2020. (Photo by Sajjad Hussain/AFP Photo)