“The Space Launch System, or SLS, is a Shuttle-Derived heavy launch vehicle being designed by NASA, following the cancellation of the Constellation Program, to replace the Space Shuttle after its retirement. The NASA Authorization Act of 2010 envisions the transformation of the Ares I and Ares V vehicle designs into a single launch vehicle usable for both crew and cargo. It is to be upgraded over time with more powerful versions. The proposed SLS is visually similar to the legacy Saturn V booster and in particular the proposed, two-stage, Saturn INT-20”. – Wikipedia

Photo: In this illustration provided by NASA, the design for a new space rocket system, the Space Launch System, is seen. NASA's new rocket design will reportedly cost about $35 billion and be ready to for test launch in 2017. According to NASA, the rocket will be used to carry Orion Multi-Purpose Crew Vehicle as well as cargo and science experiments to earth's orbit, as a backup for the space station and possibly destinations beyond that. (Illustration by NASA via Getty Images)

A woman looks on while a horse-drawn carriage passes by Italian artist Emilio Ferro's artwork installation “Portal of Light” at the Giza pyramids necropolis during the second edition of the Art D’Égypte exhibition “Forever is Now” on October 27, 2022. (Photo by Khaled Desouki/AFP Photo)

The carriages have decayed over time, on February 27, 2015, in Purwakarta, Indonesia. Dozens of trains are stacked on top of each other in what looks like a post-apocalyptic world. The old electric trains that travelled in and out of Jakarta, Indonesia, are weathered and decayed over time. The trains were used everyday since the 1980s and carried thousands of people to work. Now the carriages, which were once the lifeblood of public transport in the south-Asian city, have been left to rust among shrubbery. (Photo by HKV/Barcroft Media)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

A man is seen trapped amid the debris of an under-construction flyover after it collapsed in Kolkata, India, March 31, 2016. Using saws, small cranes and bare hands, rescuers on Friday cleared the crumbled concrete and twisted steel from an overpass that collapsed onto a crowded Kolkata neighborhood, killing at least 23 people and injuring more than 80. With more than half the debris cleared by Friday morning, 67 people have been pulled out alive, police said. (Photo by Rupak De Chowdhuri/Reuters)

Natasha Hastings of U.S. on the starting block before the women's 400 metres heats during the 15th IAAF World Championships at the National Stadium in Beijing, China August 24, 2015. (Photo by Lucy Nicholson/Reuters)

A patient solves a rubik's cube at a temporary hospital converted from “Wuhan Livingroom” in central China's Hubei Province on February 10, 2020. In face of the outbreak of the novel coronavirus pneumonia epidemic, Wuhan authorities have transformed public venues such as exhibition centers and gymnasiums into temporary hospitals. The hospitals have a large capacity of treating patients with mild symptoms and play an important role in isolating the source of infection and cutting off the routes of infection during epidemic prevention. The first batch of patients was hospitalized on Feb. 5. (Photo by Chine Nouvelle/SIPA Press/Rex Features/Shutterstock)