Li Guoqiang talks on his phone outside his house at Guangfuli neighbourhood, in Shanghai, China, April 1, 2016. Li, 38, is a deliveryman who rents a place at Guangfuli. In a corner of Shanghai, surrounded by a cement wall, lies one of the world's most valuable fields of debris and garbage. On paper, the Guangfuli neighbourhood is a real estate investor's dream: a plot in the middle of one of the world's most expensive and fast-rising property markets. But the reality is more like a developer's nightmare, thanks to hundreds of people living there who have refused to budge from their ramshackle homes for nearly 16 years as the local authority sought to clear the land for new construction. (Photo by Aly Song/Reuters)

It is amazing how much the humanity can change the face of the earth. Not only can it create huge craters, which look a lot like craters from meteors, they leave a big enough impact that it can be seen from space. Though this crater, caused by a massive explosion on 1 July 1916, looks large, being 90 feet deep and 300 feet across; it is nowhere big enough to be viewed for space. A common misconception is that the Great Wall of China can be seen from space. In reality, however, it is impossible. Not only is it of the same color as the earth near it, it is also not that wide. Deforestation, on the other hand, can be clearly seen from space. Also, at night, all the lights that the large cities produce are also very visible.

Undated handout photo of Buckbeak, a Hippogriff that lived with Rubeus Hagrid in the Harry Potter series, has his feathers preened and replenished by featherologist Val Jones, as he will feature in the the Feathers and Flight event at Warner Bros. Studio Tour London. This is the first make-over Buckbeak has received since the hugely popular Harry Potter film series was made. His intricate coat is created from thousands of individually airbrushed chicken and goose feathers that Val will carefully clean and replenish in time for the start of Feathers and Flight. Val will lead an expert team to demonstrate the techniques that made winged wonders such as Buckbeak and Fawkes the Phoenix a reality on screen. (Photo by Tim Anderson/PA Wire)

In his series “Ballerinas of Cairo”, photographer Mohamed Taher documents Egyptian dancers making the city streets their stage – pirouetting, leaping and posing their way through their country’s sprawling capital. The photos are, at first glance, stunning snapshots of a city’s vibrant culture in motion. (Photo by Mohamed Taher/Ballerinas of Cairo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Italy is the latest country to boast a sеx doll brothel amid predictions the market for robot romps is “going to explode” world-wide. “LumiDolls”, which operates robot knocking shops in Barcelona and in Moscow is now opening a bot bonking branch in the Italian city of Turin on September 3, 2018. (Photo by Giulio Lapone/IPA/Rex Features/Shutterstock)

Tens of thousands of HIV positive prostitutes in the slums of Lagos to ensure a rapid spread of the epidemic. “If you arrive by car, you can smell the HIV virus outside”, joked my driver as we are on track to Badia a criminal slums of Lagos. Badia is a corruption of “Bad Area”. Nigerians have a lack of everything, except black humor. The poor West African country Nigeria, with a population of 140 million people, after India and South Africa the highest number of people with HIV / AIDS. (Photo by Ton Koene/Exclusivepix Media)