Visitors look at an artwork “Hierarchy of Prosperity” created by Indonesian artist Eko Nugroho during the VIP preview of the art fair “Art Basel” in Hong Kong, Tuesday, March 22, 2016. A set of gold-plated metal cubes, tapestries embroidered by unknown North Korean artisans and bales of cardboard waste are among the highlights of the Art Basel Hong Kong fair opening this week. (Photo by Kin Cheung/AP Photo)

An aerial view shows the 11/19 pit and twin slag heaps at the former coal mine site in Loos-en-Gohelle, northern France, November 1, 2015. Loos-en-Gohelle, a town of 7000 inhabitants in the North of France, marked by the closure of coal mines in 1970, has demonstrated a successful transition from coal to a green economy. (Photo by Pascal Rossignol/Reuters)

A picture taken on April 18, 2020 in Sainte-Croix shows a scultpure representing a man wearing a facemask as a preventive measure against the Covid-19 coronavirus in a field. (Photo by Fabrice Coffrini/AFP Photo)

Festive decorations and illumination lights for the upcoming New Year and Christmas season are unveiled in Minsk, Belarus on December 15 , 2019. (Photo by Vasily Fedosenko/Reuters)

Lulu, her Playa name, falls into a foam pit as approximately 70,000 people from all over the world gather for the 30th annual Burning Man arts and music festival in the Black Rock Desert of Nevada, U.S. September 1, 2016. (Photo by Jim Urquhart/Reuters)

A visitors to the National Galleries of Scotland view the work “A girl” of sculptor Ron Mueck on August 4, 2006 Edinburgh in Scotland. (Photo by Jeff J Mitchell/Getty Images)

A woman wearing a mask reacts at her garden which locates next to chimneys of coal-fired power plant in Shijiazhuang, Hebei province, China, January 28, 2015. Beijing introduced tougher regulations this year to combat pollution, keen to overhaul China's unwanted image of smog-choked cities, fouled waterways and heavy-metal tainted soil. (Photo by Kim Kyung-Hoon/Reuters)

Los Angeles native Mike Stilkey has always been attracted to painting and drawing not only on vintage paper, record covers and book pages, but on the books themselves. Using a mix of ink, colored pencil, paint and lacquer, Stilkey depicts a melancholic and at times a whimsical cast of characters inhabiting ambiguous spaces and narratives of fantasy and fairy tales. A lingering sense of loss and longing hints at emotional depth and draws the viewer into their introspective thrall with a mixture of capricious poetry, wit, and mystery. (Photo by Mike Stilkey)