Chris Staring photographs a mysterious train graveyard in the heart of southern Bolivia, where the skeletons of British steam locomotives and rail cars rust away on the edge of the world’s largest salt flats. More than 100 rail cars and locomotives can be found in different states of decay in the train graveyard. (Photo by Chris Staring/Rex Features/Shutterstock)

A saltwater crocodile with a tyre around its neck is seen in Palu river in Palu on January 16, 2018. Indonesian conservation officials are racing against time to locate and rescue a saltwater crocodile that has had a tire wrapped around its for more than a year on the island of Sulawesi. (Photo by AFP Photo/ARFA)

Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

Nyah and Thea watch as the top end storms roll in across Nightcliff beach and Jetty in Darwin, Australia on Wednesday, January 17, 2024. (Photo by Neve Brissenden/AAP Image)

The aurora borealis, also known as the northern lights, glow in the sky over St Mary's Lighthouse in Whitley Bay on the North East coast, UK on Friday, May 10, 2024. (Photo by Owen Humphreys/PA Images via Getty Images)

Aoife Brack (Gorey, Wexford) with Sean Brack on her shoulders having great fun with the Bubble performers at the Kaleidoscope festival in Russborough House, Co. Wicklow, Ireland on July 2, 2023. (Photo by Nick Bradshaw for The Irish Times)

“One in Eight Hundred” by Mario Wezel, from Germany, is the winner of the “People” category. The title refers to the odds given to Martin and Karina at their prenatal screening before their daughter, Emmy, was born. The five-year-old from Denmark has Down's Syndrome. (Photo by Mario Wezel/Sony World Photography Awards)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)