A plane battling the Ferguson Fire passes the setting sun in unincorporated Mariposa County Calif., near Yosemite National Park on Sunday, July 15, 2018. (Photo by Noah Berger/AP Photo)

In this photo provided by the Karenni Nationalities Defense Force (KNDF), smokes and flames billow from vehicles in Hpruso township, Kayah state, Myanmar, Friday, December 24, 2021. Myanmar government troops rounded up villagers, some believed to be women and children, fatally shot more than 30 and set the bodies on fire, a witness and other reports said Saturday. (Photo by KNDF via AP Photo)

A person looks at Australian artist Ron Muecks large-scale installation “Mass” which comprises more than 100 hand-cast skulls that collectively weigh approximately 5000 kilograms at an exhibition at the National Gallery of Victoria (NGV) in Melbourne on May 18, 2022. (Photo by William West/AFP Photo)

A fire burns during a protest near the National Congress, on the day Senators debate Argentina's President Javier Milei's economic reform bill, known as the “omnibus bill”, in Buenos Aires, Argentina, on June 12, 2024. (Photo by Mariana Nedelcu/Reuters)

Iraqi paramilitary troops fire towards Islamic State militants during a battle with Islamic State militants on the outskirts of the ancient city of Hatra near Mosul,Iraq April 26, 2017. (Photo by Reuters/Stringer)

Two Toyotas have been turned into cute Pokemons – Pikachu and Oshawott by toy maker Tamara Tomy. Unfortunately they will never leave the exhibition because nobody would give them a road license.

Yaks head towards the Everest base camp in Solukhumbu District April 28, 2014. (Photo by Navesh Chitrakar/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)