AJ Dereume holds Punxsutawney Phil during the Groundhog Day Festivities, at Gobblers Knob in Punxsutawney, Pennsylvania, U.S., February 2, 2023. (Photo by Alan Freed/Reuters)

Online clothes seller, Kanittha Thongnak, 32, applies zombie makeup before she starts livestreaming selling dead people's clothes in Bangkok, Thailand on October 10, 2020. (Photo by Jiraporn Kuhakan/Reuters)

A Balinese man performs a traditional dance at Art Center Denpasar on Indonesia's resort island of Bali on May 30, 2025. (Photo by Sonny Tumbelaka/AFP Photo)

Alayah Pilgrim of Switzerland in action during the UEFA Women's EURO 2025 match between Switzerland and Norway at St. Jakob-Park in Basel, Switzerland, on July 2, 2025. (Photo by Stephane Mahe/Reuters)

Residents carry a slaughtered pig with a bamboo pole as they walk home on a street, which was shut to traffic due to ice, in Leishan county, Guizhou province January 31, 2015. Blizzards and icy rain that lasted for several days at the end of January have disrupted traffic, collapsed houses and decimated crops in central Chinese provinces, Xinhua News Agency reported. (Photo by Reuters/Stringer)

Switzerland's Belinda Bencic celebrates after defeating Czech Republic's Marketa Vondrousova during their Tokyo 2020 Olympic Games women's singles tennis final match at the Ariake Tennis Park in Tokyo on July 31, 2021. (Photo by Yara Nardi/Reuters)

Fans of Germany enjoy the pre match atmosphere prior to the FIFA World Cup Qatar 2022 Group E match between Costa Rica and Germany at Al Bayt Stadium on December 01, 2022 in Al Khor, Qatar. (Photo by Stuart Franklin/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)