Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.

“On 24 July 2010, a stampede at the 2010 Love Parade electronic dance music festival in Duisburg, North Rhine-Westphalia, Germany, caused the death of 21 people. At least 510 more were injured”. – Wikipedia

Photo: Wall art and candles are pictured in the tunnel of the 2010 Loveparade disaster near to where many of the deaths occurred on the first anniversary of the tragedy on July 24, 2011 in Duisburg, Germany. (Photo by Thomas Starke/Getty Images)

“My goal was to capture the image of a storm that emulated an atomic explosion”, Dobrowner says of this picture. Here: “Monsoon”, Lordsburg, N.M., 2010. (Photo by Roger Hill)

The electronically animated giant baby Miguelin (created by Isabel Coixet in collaboration with the special effects team behind Alien vs. Predator) was seen in the Spanish Pavilion at the site of Shanghai 2010 World Expo on April 27, 2010 in Shanghai, China. (Photo by China Photos)

Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.