Dancers from Kyiv and Dnipro preparing themselves in the wings for a performance at the Kyiv National Opera House on June 24, 2022. (Photo by Julian Simmonds/The Guardian)

Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

Cybermen patrol the National Museum of Scotland before the opening of the Doctor Who Worlds of Wonder exhibition in Edinburgh, Scotland on Wednesday, December 7, 2022. (Photo by Murdo MacLeod/The Guardian)

Australian ballet dancer Marilyn Rowe prepares to perform Swan Lake with the Australian Ballet at the Canberra Theatre in 1978. Rowe was appointed director of the Australian Ballet School in 1999. (Photo by John Crowther/The Guardian)

Horse archery competitor Kimberley Robertson with her horse Chiko at her home in Hirstglen, Queensland, Australia on April 9, 2024. (Photo by Aston Brown/The Guardian)

Copperhead ridden by Harry Cobden falls during the RSA Insurance Novices' Chase (Grade 1) at Cheltenham Racecourse on March 11, 2020 in Cheltenham, England. (Photo by Tom Jenkins/The Guardian)

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

Renowned amphibian and reptile photographer Matthijs Kuijpers has released his first book, “Cold Instinct”. Kuijpers says the aim of the work is “for the viewer to abandon the fear and negative thoughts that often surround these animals”. What’s left is the bizarre beauty of these creatures in their simplest form – no backgrounds and no distractions. Here: Mossy frog (Theloderma corticale). (Photo by Matthijs Kuijpers/The Guardian)