“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

Members of the general public enjoy the “BEACH” at the National Building Museum August 25, 2015 in Washington, DC. The “BEACH” is an interactive architectural installation, with an “ocean” of nearly one million recyclable translucent plastic balls, that brings the experience of going to the beach indoor. (Photo by Alex Wong/Getty Images)

Spanish photographer Clément Celma project “My Little Planets,” takes an interactive and panoramic approach, exploring beautiful architecture from all angles

“Bodies in urban spaces” is a temporarily intervention in diversified urban architectural environments. The intention of “Bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behavior as well as rules and limitations.

Tytus Brzozowski is a Polish architect and watercolorist who is inspired by the dynamics, color, design, and history of Warsaw. He creates watercolor paintings that often combine detailed architectural images with whimsical and imaginary scenes, such as pianos suspended by hot air balloons and buildings shaped like teapots

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.