Polar frame, by Dmitry Kokh, Russia. When Kokh’s boat approached the small island of Kolyuchin in the Russian High Arctic, which had been abandoned by humans since 1992, he was surprised to spot movement in one of the houses. Binoculars revealed polar bears – more than 20 in total – exploring the ghost town. Dmitry used a low-noise drone to document them. (Photo by Dmitry Kokh/Wildlife Photographer of the Year 2022)

More than 1,500 snappers submitted their most hilarious pictures of all creatures great and small, and now 45 have made the cut. From drunken-eyed owls to embarrassed chipmunks and laughing goats – the finalists in the Comedy Wildlife Photography Awards are guaranteed to raise a smile. Here: 'Dancing sifaka'. (Photo by Alison Buttigieg/Comedy Wildlife Photography Awards/Mercury Press)

Sompob Sasi-Smit is a professional nature and wildlife photographer based in Thailand. The artist has created a fantastic portfolio capturing the natural beauty and the charm of wild animals mostly among national parks.

Birds behaviour winner: Land of the Eagle by Audun Rikardsen, Norway. High on a ledge, on the coast near his home in northern Norway, Rikardsen carefully positioned an old tree branch that he hoped would make a perfect golden eagle lookout. To this, he bolted a tripod head with a camera, flashes and motion sensor attached, and built himself a hide a short distance away. From time to time, he left road‑kill carrion nearby. Very gradually – over the next three years – a golden eagle got used to the camera and started to use the branch regularly to survey the coast below. (Photo by Audun Rikardsen/2019 Wildlife Photographer of the Year)

Brush fires in Everglades National Park, Florida make for a dramatic Milky Way in this panorama. A photographer set out to inspire awe in nature's wonders through the tropical wetlands of Florida. (Photo by Mark Andrew Thomas/Rex Feature/Shutterstock)

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)

Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

A group of around 400 demonstrators participate in a protest by burying their heads in the sand at Sydney's Bondi Beach November 13, 2014. Hundreds of protesters participated in the event, held ahead of Saturday's G20 summit in Brisbane, which was being promoted as a message to Australian Prime Minister Tony Abbott's government that, “You have your head in the sand on climate change”. (Photo by David Gray/Reuters)