Director Lars Von Trier attends the “Melancholia” photocall at the Palais des Festivals during the 64th Cannes Film Festival on May 18, 2011 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)
“Wave Gotik Treffen 2010 am Eingang des AgraParks / in der Innenstadt von Leipzig”. (Photo by Danny Sotzny)
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People in boats approach “Die Badende” (“The Bather”), a giant sculpture showing a woman's head and knees as if she were resting in the Binnenalster lake on August 3, 2011 in Hamburg, Germany. The sculpture, which is made of styrofoam and steel and measures 4 meters high and 30 meters long, is a project by artist Oliver Voss and will be on display for the next ten days. (Photo by Sean Gallup/Getty Images)
Animal rights activists from People for the Ethical Treatment of Animals (PETA) stage a “die-in” to mark World Vegan Day in Piccadilly Circus in London, Monday, November 1, 2021. The demonstration sought to draw attention to the suffering and death of animals in the meat, egg and dairy industries. (Photo by David Cliff/AP Photo)
A mason bee deposits its collected pollen in an elderberry stick near Hessen, Germany on March 27, 2020. The food supply is sufficient for the eleven-month development of the brood from the egg to the finished bee. Wild bees are active in March and April and die before their offspring hatch. (Photo by Arne Dedert/dpa)
Model Daisy Lowe has been camouflaged into a wall of daisies by world-leading body paint artist Carolyn Roper, to showcase the Samsung QLED TV's Ambient Mode feature in London, United Kingdom on August 2, 2018. The work took eight hours to complete. (Photo by Matt Alexander/PA Wire)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)