Islamic female students practice the ancient Thai art of “Krabi Krabong” taught as a sport at the Darunsat Wittaya school on August 16, 2011 in Saraburi, Thailand. (Photo by Paula Bronstein/Getty Images)

Mariam, a 9-year-old girl, carries her brother as she stands with other children at an underground ancient cemetery in Jabal al-Zawiya in the southern countryside of Idlib November 26, 2014. Residents are using ancient caves and cemeteries as underground shelters to hide in during shelling from forces loyal to President Bashar al-Assad. Picture taken November 26, 2014. (Photo by Khalil Ashawi/Reuters)

A woman places her fingers into the crucifix-shaped holes in one of the ancient columns in the Church of the Nativity on December 22, 2011 in Bethlehem, West Bank. (Photo by Uriel Sinai/Getty Images)

Iraqi paramilitary troops fire towards Islamic State militants during a battle with Islamic State militants on the outskirts of the ancient city of Hatra near Mosul,Iraq April 26, 2017. (Photo by Reuters/Stringer)

Ukrainians pour water on each other on a street in Lviv, Ukraine, 02 May 2016. The tradition of pouring water was an ancient spring ritual of cleansing on first Monday after Orthodox Easter. (Photo by Mykola Tys/EPA)

Yogis, Israeli and foreigners, participate in the Arava Yoga Annual festival at the ancient copper mines area of the Timna Valley, in the southern Arava region of Israel, north of Eilat on November 2, 2018. (Photo by Menahem Kahana/AFP Photo)

A man checks the temperature of a devotee as a precaution against the coronavirus as she arrives to offer prayers at an ancient temple of Hindu goddess Kali in Jammu, India, Tuesday, August 18, 2020. (Photo by Channi Anand/AP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)