Hollowed pumpkins float on a lake Ludwigsburg Castle on September 19, 2010 in Ludwigsburg, Germany. (Photo by Ralph Orlowski/Getty Images)

Aluminium ingots are stored at a foundry shop of the Rusal Khakassia aluminium smelter outside the town of Sayanogorsk, Russia, September 3, 2015. Russia's Rusal has decided to delay a decision on its possible first dividend since listing five years ago though its second-quarter core profit more than doubled thanks to cost cuts and a weaker rouble. (Photo by Ilya Naymushin/Reuters)

Myanmar civil security personnel escort an eight-metre tall wicker puppet from the French cultural group L'Homme Debout during a parade in Yangon city's Dala township on December 2, 2016 to mark the opening of the Mingalabar Festival. (Photo by Romeo Gacad/AFP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Artist Robert Mickelson is an expert sculptor whose medium of choice happens to be glass. There's something so pure and serene about glass. Perhaps it's the material's transparency coupled with its fragility. Whatever it may be, Mickelson knows how to accentuate the element's most appealing qualities. Each of his life-like sculptural pieces exude realism with a refined quality.

A truck is seen in a hole after part of the structure of a bridge collapsed into a river in Changchun, Jilin province May 29, 2011. Two truck passengers were injured, while the cause of the accident is still under investigation, local media reported. (Photo by Reuters/China Daily)

The electronically animated giant baby Miguelin (created by Isabel Coixet in collaboration with the special effects team behind Alien vs. Predator) was seen in the Spanish Pavilion at the site of Shanghai 2010 World Expo on April 27, 2010 in Shanghai, China. (Photo by China Photos)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.