An American family with a carved pumpkin illuminated by a candle to celebrate Halloween. (Photo by Sherman/Three Lions/Getty Images). Circa 1955

Riot police clash with demonstrators protesting against proposed pension reforms outside the Congress in Buenos Aires on December 18, 2017. Protesters angry at proposed pension and welfare reforms attacked police close to Argentina's congress building in Buenos Aires on Monday, the second protest in a week to turn violent. Activists lobbed stones, bottles and firecrackers at police as huge crowds demonstrated against pension reforms proposed by the center-right government of President Mauricio Macri. (Photo by Eitan Abramovich/AFP Photo)

Elvis Presley impersonator Sean Wright poses next to the Elvis Express train at Sydney's Central station before it departs for the 26th annual Elvis Festival being held in the New South Wales town of Parkes in Australia, January 11, 2018. (Photo by Daniel Munoz/Reuters)

Cyclists compete during the UCI BMX World Championships Elite Women's Moto Race on May 29, 2016 in Medellin, Antioquia department, Colombia. (Photo by Raul Arboleda/AFP Photo)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

An Egyptian passenger sits on the locomotive of a train as it leaves Cairo train station in Egypt, Wednesday, October 14, 2015. (Photo by Amr Nabil/AP Photo)

A woman looks on while a horse-drawn carriage passes by Italian artist Emilio Ferro's artwork installation “Portal of Light” at the Giza pyramids necropolis during the second edition of the Art D’Égypte exhibition “Forever is Now” on October 27, 2022. (Photo by Khaled Desouki/AFP Photo)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.