A young marcher high fives the crowd as Australian military personnel, past and present, commemorate ANZAC Day during a parade through the city centre in Sydney, Australia on April 25, 2023. (Photo by Jaimi Joy/Reuters)

People walk past a mural depicting Ulster Volunteer Force gunmen in the mainly protestant area of East Belfast on June 23, 2011 in Northern Ireland. The Short Strand and Newtonards Road areas of East Belfast remained mostly peaceful after Protestant and Catholics groups were involved in a stand-off overnight. (Photo by Peter Macdiarmid/Getty Images)

Relatives of the victims, died in the Israeli airstrikes, mourn as they take the bodies from the morgue of Nasser Hospital for the funeral ceremony as the Israeli army attacks continue in Khan Yunis, Gaza on November 14, 2023. (Photo by Belal Khaled/Anadolu via Getty Images)

Pupils from St Teilo’s Catholic Primary School in Tenby, South Wales, perform a scene from their Nativity play in the second decade of December 2023. The three kings, played by Jack Rigby, Santos Basilnomo and Tommy Leggett, pretended to follow a star on South Beach, a stone’s throw from the school. (Photo by Joann Randles/Cover Images)

A refugee sits in front of a Greek riot police cordon during a protest at the Greek-Macedonian border, near the Greek village of Idomeni, March 1, 2016. (Photo by Alexandros Avramidis/Reuters)

A man dressed up as a "Catrin", a Mexican character also known as "The Elegant Death", is pictured during a Catrinas parade in Mexico City October 31, 2015. (Photo by Carlos Jasso/Reuters)

A Syrian youth Khaled from Raqqa walks on snow wearing slippers in the Bekaa Valley refugee camp in Lebanon after the first heavy snow storm hit Lebanon, January 3, 2016. (Photo by Jamal Saidi/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)