People take pictures of huge waves crash on the Viavelez seafront in the northern Spanish region of Asturias January 2, 2016. (Photo by Eloy Alonso/Reuters)
A nurse shows a syringe with a dose of the COVID-19 vaccine to a citizen who is about to receive it during a vaccination day as part of the campaign in Mexico City at Pepsi Center WTC on May 25, 2021 in Mexico City, Mexico. According to the head of Govermnment, Claudia Sheinbaum, seven municipalities will start their campaign today which plans to apply the first dose to over 500,000 citizens between 50 and 59 years old. (Photo by Hector Vivas/Getty Images)
Belarusian schoolchildren, who are members of a pro-government Young Pioneer movement, perform with drums as they take part in a meeting to mark the 95th anniversary of their organisation in Minsk, Belarus May 19, 2017. (Photo by Vasily Fedosenko/Reuters)
A Guarani boy pets a puppy in the Mata Verde Bonita village, in Marica, Rio de Janeiro state, Brazil, Thursday, February 25, 2020, where healthcare workers are making the rounds with coolers containing doses of China's Sinovac COVID-19 vaccine as part of a mass immunization program aimed at inoculating all of Rio's 16 million residents by the end of the year. (Photo by Bruna Prado/AP Photo)
A woman chops a fish at her stall as a train passes by at a morning market near Duri train station in Jakarta in this February 12, 2009 file photo. (Photo by Reuters/Beawiharta)
A displaced Pakistani girl collects recyclable goods from a garbage to earn living for her family in Islamabad, Pakistan, Tuesday, January 19, 2016. (Photo by B.K. Bangash/AP Photo)
Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.