A leopard leaps into a muddy waterhole to catch a fish on August 13, 2015, in the Savuti Channel in Botswana. A leopard leaps into a muddy waterhole to catch a fish in the Savuti Channel in Botswana. The spotted predator stood poised waiting for a fish to appear – before leaping in ferociously with lightening reflexes. Coated in a layer of thick dark mud the big cat emerged from the water clutching the fish in its jaws. The fishing leopards of Savuti are known for their unique skills in catching fish – but have rarely been photographed. (Photo by Greatstock/Barcroft Media)

Black Nazarene devotees clamber on top of one another to to touch the cross on January 9, 2015 in Manila, Philippines. The Feast of the Black Nazarene culminates in a day long procession on January 9 as barefoot devotees march to see and touch the image of the Black Nazarene. The Black Nazarene is a dark wood sculpture of Jesus brought to the Philippines in 1606 from Spain and considered miraculous by Filipino devotees. The event falls a week ahead of the visit of Pope Francis who will travel to Leyte and Manila during his visit to the Philippines from January 15–19. The visit is expected to attract crowds in the millions as Filipino Catholics flock to catch a glimpse of the leader of the Catholic Church. The Philippines is the only Catholic majority nation in Asia with around 90 percent of the population professing the faith. (Photo by Dondi Tawatao/Getty Images)

Have you ever tried painting with light? Yes, you’ve heard us right. It is not a figure of speech, and it is actually possible to draw with light if you have a good camera and a tripod. All you have to do is to set your camera on a tripod in a dark place (preferably at night in some park), set exposure time to the max, turn on a single bright light (the screen of your mobile phone will do), and you can start painting. Darren Pearson is a photographer who specializes in making such drawings. The level of intricacy with which he creates his paintings is astounding, considering the fact that making such a drawing is like painting with a blindfold on.

“Banksy is an pseudonymous England based graffiti artist, political activist, film director and painter. His satirical street art and subversive epigrams combine irreverent dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world”. – Wikipedia

Photo: A Bristol Museum employee adjusts one of the latest suprise exhibits by the underground guerrilla artist, Banksy on June 12 2009 in Bristol, England. The exhibition called “Banksy versus Bristol Museum” is one of the largest single collections of the artist works and was organised under tight security and installed in just 36hrs with only a handful of museum staff aware it was even happening. Banksy, whose real identity remains a mystery, is said to hail from the Bristol area, and claims that hosting the exhibition in the city is his way of thanking the city for his early street art career. (Photo by Matt Cardy/Getty Images)

In a simpler time all a child or an adult needed to enjoy the outdoors was a ball and a stick. Or maybe an old tire tied to a high branch to fashion a swing. And the only instruction given to children was to “be home before dark”. Now there are iPads and computers and television screens and shrinking safe public spaces. But despite the distractions and limitations of space, these images show the charm of kicking a ball or skipping rope endures. Sometimes with modifications as a nod to changing times. Here: in this Saturday, June 20, 2015 photo, a boy runs while playing with a motorcycle wheel in Samugari, Ayacucho, Peru. (Photo by Rodrigo Abd/AP Photo)

People use snowshoes during a tour of the Great Kemeri Bog, Latvia, October 17, 2015. The Kemeri bog is more than 8,000 years old and is one of the largest dry moss swamps in the Baltics. A more than decade-long joint restoration of the bog by the European Union and the Latvian government helped the bog recover its high moss marshes, damp black alder forests, floodplain meadows and seaside lakes – features now considered rare in Europe due to industrialisation. (Photo by Ints Kalnins/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Tim Laman is a field biologist and wildlife photojournalist. His pioneering research in the rain forest canopy in Borneo led to a PhD from Harvard and his first National Geographic article in 1997. Since then, he has pursued his passion for exploring wild places and documenting little-known and endangered wildlife by becoming a regular contributor to National Geographic. He has eighteen articles to his credit to date, all of which have had a conservation message. Some have focused on endangered species such as Orangutans or Hornbills, while others, such as a series of articles on Conservation International’s Biodiversity Hotspots, have highlighted regions under intense pressure.