A Border Security Force (BSF) trooper performs a stunt on his motorcycle during a road show to celebrate 75 years of India's Independence, in Ahmedabad, India, August 25, 2021. (Photo by Amit Dave/Reuters)

A model presents the Flesby, a one-seater mobility concept car, during a media preview of the 45th Tokyo Motor Show in Tokyo, Japan on October 25, 2017. Japan's flagship automakers present their futuristic visions for the post-fossil fuel era at the Tokyo Motor Show that kicks off Wednesday. (Photo by Kim Kyung-Hoon/Reuters)

Veteran cholita wrestler Jennifer dos Caras, 45, holds a cement block over teen wrestler Lucero la Bonita in the ring in El Alto, Bolivia, Monday, January 21, 2019. Trainees of cholita wrestling are still a year away from their full professional debuts while competing in matches against established athletes. (Photo by Juan Karita/AP Photo)

A handout image released by the Taronga Zoo shows Veiled Chameleon hatchlings at Taronga Zoo in Sydney, Australia, 11 March 2015. Taronga has welcomed more than 20 baby chameleons, with the last of three clutches of eggs hatching this week. Veiled Chameleons, or Chamaeleo calyptratus, are native to Saudi Arabia and Yemen and can live up to five years. (Photo by EPA/Taronga Zoo)

Brazilian tattoo artist Michel Praddo, also known as Diabao or Human Satan, and his wife Carol Praddo, known as Mulher Demonia or Demon Woman, take a picture with a fan at the beach shore in Praia Grande, Brazil on August 18, 2021. (Photo by Carla Carniel/Reuters)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Syrian refugees sit behind barbed wire as they wait to cross into Macedonia at the Greek-Macedonian border, near the village of Idomeni, August 21, 2015. (Photo by Yannis Behrakis/Reuters)