A ballet student from the Kibera based Project Elimu poses ahead of a public show in Kibera on August 14, 2024. Project Elimu, a community driven non profit organization, provides afterschool art, sport education programs for young people age 3 to 22. During school holidays the center holds street perfomances to encourage more students to join the dance center. Kibera is the largest slum in Nairobi, one of the largest in Africa. (Photo by Gordwin Odhiambo/AFP Photo)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

In this October 5, 2016 photo a man looks at the work “Not to be Reproduced” by Rene Magritte at the Kunsthalle art gallery in Hamburg, Germany. The exhibition, which runs from Oct. 7, 2016 until Jan. 22, 2017, features more than 150 masterpieces of surrealism from four of the most significant European private collections of the 20th century. (Photo by Daniel Reinhardt/DPA via AP Photo)

Furniture design “Chair” by Allen Jones ( £600,000-800,000) is seen at Christie's London on September 29, 2017 in London, England. Christie's Auction House is to sell millions of pounds worth of art and design from the 20th and 21st centuries during Frieze Week from October 3rd to October 7th. (Photo by Nils Jorgensen/Rex Features/Shutterstock)

In this April 18, 2019 photo, tattoo artist Lalo Calva inks a tattoo on client Adrian Alonso Rodriguez, a journalist, announcer and dubbing artist, at the Corona Tattoo parlor in Mexico City. Not only inks and techniques have changed in Mexico over the years, but tattoos themselves have evolved from stigmatized symbols of gangs, violence and poverty to an art form. (Photo by Marco Ugarte/AP Photo)

An employee of Paris city Hall removes padlocks clipped by lovers on the fence of the Pont des Arts over the River Seine in Paris, December 9, 2014. For years, visiting couples have hung brass padlocks on the iron grills lining the city's bridges to symbolise their undying love – they write their names on the locks, then toss the key into the Seine below. About 700,000 love locks are added every few months and Paris officials say they are damaging the bridges and threatening safety because of the added weight. (Photo by Philippe Wojazer/Reuters)

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)