Ali Asair, who has left his family behind and traveled hundreds of kilometers in search for a pasture for his animals, attends to his camel in a pastoralists' settlement in the Bandarbeyla district in Somalia's semi-autonomous region of Puntland, Somalia, 24 March 2017. According to media reports, the United Nations says only 31 percent of 864 million US dollars appeal for a drought-hit Somalia is funded. The UN said the world is facing the largest humanitarian crisis since 1945, adding that more than 20 million people are facing the threat of famine in Somalia, Yemen, South Sudan and Nigeria and 1.4 million children could die from starvation this year. (Photo by Dai Kurokawa/EPA)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List

“A series of ads, developed as a creative idea for UN Women by Memac Ogilvy & Mather Dubai, uses genuine Google searches to reveal the widespread prevalence of sexism and discrimination against women. Based on searches dated 9 March, 2013 the ads expose negative sentiments ranging from stereotyping as well as outright denial of women’s rights”. – UN Women. (Photo by Ogilvy & Mather, Dubai, UAE/UN Women)

A life-size sculpture of a pianist, made of approximately 210,000 matches and weighs around 100 kilograms, is seen in Tomislav Horvat's studio in Podturen, Croatia, October 27, 2016. For the last ten years, Horvat has built sculptures made from matches. This is his biggest sculpture to date that took him some 30 months to build. (Photo by Antonio Bronic/Reuters)

Sap runs out of a frankincense tree near Mader Moge, Somaliland, a breakaway region of Somalia on August 4, 2016In a tradition dating to Biblical times, men rise at dawn in the rugged Cal Madow mountains of Somaliland in the Horn of Africa to scale rocky outcrops in search of the prized sap of wild frankincense trees. (Photo by Jason Patinkin/AP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.