Cambodia's Pov Sokha and Soeur Chanleakhena compete in the female pair sword form category of the vovinam event during the 31st Southeast Asian Games (SEA Games) in Hanoi on May 19, 2022. (Photo by Nhac Nguyen/AFP Photo)

Thailand's Patsapong Amsam-ang waits under an umbrella during a break due to heavy rains in the men's pole vault final during the 32nd Southeast Asian Games (SEA Games) in Phnom Penh on May 8, 2023. (Photo by Mohd Rasfan/AFP Photo)

Thailand's Lac Somruedee Pruepruk balances the ball during the sepak takraw women's match against Malaysia at the 31st Southeast Asian Games (SEA Games) in Hanoi on May 17, 2022. (Photo by Ye Aung Thu/AFP Photo)

A guard follows participants down a hallway in “Squid Game: The Trials”, an in-person interactive competition experience based on the Netflix show “Squid Games”, on December 20, 2023 in Los Angeles, California. At “Squid Game: The Trials” in Los Angeles, fans of all ages can relive the most emotional moments of Netflix's South Korean hit show – but there is a lot less blood and no one wins any prize money. (Photo by Robyn Beck/AFP Photo)

A life-size interactive inflatable sculpture of Stonehenge called “Sacrilege 2012” by English contemporary artist Jeremy Deller on display as part of the “Inflation!” exhibition curated by Mobile M + on April 24, 2013 in Hong Kong. The inflatable artwork is one of six on display as part of the exhibition which is open from April 25, 2013 until June 9, 2013. (Photo by Jessica Hromas)

Joshua Patino stands on a ladder to put finishing touches on a giant dinosaur exhibit at PAX East in the Boston Convention and Expo Center, Thursday, April 21, 2016, in Boston. PAX East, an annual celebration of gaming culture, is expected to draw tens of thousands of visitors Friday through Sunday. It's a place where serious gamers can preview unreleased video games and devices, compete in tournaments, hear live music and meet others for whom gaming is a way of life. (Photo by Elise Amendola/AP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)