Erica and Hannes, from Zurich, Switzerland, were tasked with watching their friend’s 6-month-old baby overnight, and after an “extensive briefing” from the dad, they realized just how much could go wrong. The couple, both designers, decided to have some fun with their fears, making the apocalyptic scenarios come to life in a hilarious photo series now gone viral. (Photo by Erica and Hannes)

US model Binx Walton strutted out with a boob exposed and only a glittery love heart ­protecting her modesty in Anthony Vaccarello’s debut show for Saint ­Laurent on September 27, 2016. The Sun found out how the trend measured up on trip to the shops. Here: Isabella Besque 21 from London tries out the nipple cover look as seen Paris Fashion week on the streets of London, England on October 7, 2016. (Photo by Stewart Williams/The Sun)

British underwater photographer of the year – winner. “Love Birds” by Grant Thomas (UK). Location: Luss Pier, Loch Lomond, Scotland. Thomas’s initial idea was to frame a split shot of one swan feeding below the surface of the water but when he noticed how comfortable they were around him he was confident, with some patience, he could get that magical shot of the two. (Photo by Grant Thomas/UPY 2018)

A woman wearing a mask walk in a street in a Yonghegong Lama temple compound seen shrouded in smog in Beijing, China, 30 November 2015. Beijing issued an orange alert for heavy smog 30 November, the highest level this year. Authorities in the Chinese capital warned of 'severe pollution' and advised the capital's 20 million inhabitants to stay indoors. (Photo by How Hwee Young/EPA)

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.