These photos have been taken in 2014 but they seem being taken in 1944. It is as if they had been discovered in an old attic, used and damaged...

The Toyota FCV Plus fuel cell concept car is displayed on media day at the Paris auto show, in Paris, France, September 29, 2016. (Photo by Benoit Tessier/Reuters)

A fisherman is seen standing on a cliff edge at Cape Bank in La Perouse on February 20, 2011 in Sydney, Australia. The practice of fishing from rock platforms, cliffs and rocky outcrops is notoriously dangerous with many anglers per year being washed into the ocean by dangerous surf or unexpected large waves. Angling is often reported as the sport having the highest mortality rate on average due to fishermen drowning with rocking fishing contributing to a high number of these deaths. (Photo by Mark Kolbe/Getty Images)

A baby Asian elephant, born only two days before, stands next to his mother Nova in its enclosure at Tierpark Berlin Zoo on May 10, 2012 in Berlin, Germany. The male elephant calf, who does not have a name yet, weighs 102kg and is 91cm tall. (Photo by Timur Emek/dapd/Sean Gallup)

Jason Freeny is pretty well known for his dissection illustrations and toys, showing the inner workings of just about every pop culture icon or toy out there. His latest drool-worthy work is a trio of 18″ anatomical Lego men figures. You can see Jason’s entire creation process of these little masterpieces via his Facebook.

Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.