A French riot police officer is surrounded by flames, during a demonstration against the controversial labour reforms of the French government in Paris on September 15, 2016. Opponents of France's controversial labour reforms took to the streets on September 15, 2016 for the 14th time in six months in a last-ditch bid to quash the measures that lost the Socialist government crucial support on the left. Scores of flights in and out of France were cancelled as air traffic controllers went on strike to try to force the government to repeal the changes that became law in July. (Photo by Thomas Samson/AFP Photo)

A chimpanzee looks in the direction of a camera at the Gut Aiderbichl Sanctuary for Traumatized Chimpanzees and other Primates in Gaenserndorf, near Vienna, 17 September 2018. 34 former laboratory chimpanzees of former Austrian pharmaceutical company Immuno AG spend their lives at the Gut Aiderbichl Sanctuary for Traumatized Chimpanzees and other Primates since 2009. (Photo by Christian Bruna/EPA/EFE)

Boys pan for gold on a riverside at Iga Barriere, 25 km (15 miles) from Bunia, in the resource-rich Ituri region of eastern Congo February 16, 2009. Ituri is one of many areas of the country to have experienced bitter ethnic conflict between rival tribes in recent years. Massacres have left tens of thousands dead. It is this fighting that led U.S. authorities to take the unprecedented step of naming Congo in section 1502 of the Dodd-Frank financial regulation act, which says U.S.-listed companies that source gold, tungsten, tantalum and tin from Congo or its neighbours must assure the U.S. stock exchange regulator that their business is not helping fund conflict. (Photo by Finbarr O'Reilly/Reuters)

“The Carnival Triumph finally made port on Thursday night, after what should have been an idyllic four-day cruise turned into a grueling week-long ordeal for more than 3,000 passengers and 1,000 crew. Some kissed the ground as they disembarked the ship, while others swore never to go on another cruise again. Many spoke of the well-documented unsanitary conditions on board the 272-metre Triumph, which lost power in the Gulf of Mexico on Sunday”. – Tom Dart and Adam Gabbatt via Guardian

Photo: Kendall Jenkins of Houston kisses the ground after stepping off the Carnival ship Triumph (Photo by AP Photo)

The ferocity of crises worldwide is forcing a record number of people to flee their homes, seeking some form of safety within their own country or across international borders. There are 65.3 million displaced people worldwide, including 21.3 million refugees. Most have lost their homes to armed conflict or natural disasters but other factors, such as extreme poverty and climate change, also drive displacement. The International Organisation for Migration commissioned photojournalist Muse Mohammed to document the plight of the displaced. (Photo by Muse Mohammed/IOM)

The Dark Knight (2008) was a visual feast firmly grounded in reality. But what if it had been a little more "freaktastic?" Professional concept artist Rob Bliss, who also worked on Lara Croft: Tomb Raider (2001), Watchmen (2005) and Jack the Giant Killer (2009-10) created some truly bizarre visuals for the film. Some are available in his portfolio including The Joker (Heath Ledger), the Joker's clown masked men in the bank heist and horrific images of Harvey "Two-Face" Dent (Aaron Eckhart).

“24.27 N, 81.44 W. These coordinates mark the spot of the final resting place of an old brave soldier, the USS General Hoyt S. Vandenberg. In 2009 it underwent a complete change when the creaky steel monster became a mystical bearer of secrets. In May of that year, the Vandenberg was lowered down into the darkness of the ocean off the coast of Florida to become an artificial reef, where it would dwell in rigor mortis at a depth of 130 feet. This lively, animate, secretive nothingness, this menacing, wild emptiness would haunt and seduce the renowned Austrian photographer and passionate diver Andreas Franke...”. – The Sinking World (Photo by Andreas Franke)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.