A frog appears to have a big smile for the camera, Russia. Things are heating up at the Comedy Wildlife Photography Awards as the shortlisted final 40 entries are revealed. This year's competition has featured over 2200 hilarious entries from around the world with photos including a fox face planting in the snow, a dancing brown bear and a pair of seemingly headless penguins – all beautifully photographed with perfect comedy timing and a strong conservation message. (Photo by Artyom Krivosheev/Barcroft Images/Comedy Wildlife Photography Awards 2016)

Being able to look at this world in a different light is the main thing that distinguishes a true artist from a common person. We can clearly see that Lucas Levitan is a true artist despite the crude drawings that he makes. By hunting through thousands of photos that people post on Instagram, he finds the ones that might have a completely different, surprising, and comical theme. For example, a sensual photo of lady’s eyelashes is transformed into a scene in which a farmer is harvesting his crops. This is imagination at its finest, which is why the art works of Lucas Levitan are so interesting to look at. (Photo by Lucas Levitan)

Nowadays, crossbreeding and gene splicing are creating things that would never have occurred in nature. Thanks to gene splicing, modern man can witness mice that glow in the dark, goats that produce milk which is then used to make bulletproof vests, and even cows that produce milk that is almost identical to human breast milk. One of the latest feats of human genius is the creation of Thompson and Morgan. By combining the genes of tomatoes and potatoes they were able to create a “TomTato”, which is essentially a plant that grows tomatoes and potatoes at the same time. With creations such as this, the world’s hunger problem may be resolved in a few decades.

“Serengeti National Park encompasses 5,700 square miles of grassy plains and woodlands near the northern border of Tanzania, and is home to more than 3,500 lions grouped into a couple dozen prides. Photographer Nick Nichols and videographer Nathan Williamson made several extended trips to the Serengeti between July 2011 and January 2013, determined to break new visual ground in their coverage of the Serengeti Lions”. Photo: Cubs of the Simba East pride: too young to kill but old enough to crave meat. Adult females, and sometimes males, do the hunting. Zebras and wildebeests rank high as chosen prey in the rainy season. (Photo by Michael Nichols/National Geographic via The Atlantic)

The R.C. Bush Pilots club was started in 1981, for those who enjoy flying radio control (RC) model planes. It’s one of the largest clubs in Florida, and calls Phil Wherry Field in West Palm Beach home. Photo: Professional pilot and remote control plane enthusiast Bob Rembert prepares to start the propeller of a 1/4 scale Edge 540 remote control, gas powered plane. (Photo by Bill Ingram/The Palm Beach Post)

In this October 14, 2013 photo, ecology professor Ricardo Freitas catches a broad-snouted caiman to examine, then release back into the water channel in the affluent Recreio dos Bandeirantes suburb of Rio de Janeiro, Brazil. Caimans are like tanks, a very old species with a remarkable capacity for renovation that allows them to survive under extreme conditions where others couldn't, said Freitas, who runs the Instituto Jacare, or the Caiman Institute, which aims to protect the reptiles. (Photo by Felipe Dana/AP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)