These images of abandoned hospitals across Italy are not for the faint-hearted. Both of the hospitals featured in the photographs are Italian asylums – known as manicomios – that were used as mental hospitals. Shut down by law in 1978, the derelict buildings are visibly overgrown and make for very eerie portraits. Photographer Thomas Windisch, 32, of Graz, Austria, said the asylums, located in top-secret spots, can get very creepy when there aren't many people there with him. Here: a hallway within an abandoned hospital. (Photo by Thomas Windisch/Caters News)

“Willy Rizzo was an Italian photographer and designer. In late 1948, Willy began an illustrious twenty-year career with Paris Match that would have him photograph some of the greatest names of the golden age of photojournalism. Married later to actress Elsa Martinelli, Rizzo enjoyed unparalleled access to the stars; Brigitte Bardot, Sophia Loren, Marilyn Monroe, Vivien Leigh, Audrey Hepburn, Jane Fonda, Gene Kelly, Fred Astaire, Salvador Dalí and Pablo Picasso all found themselves in front of Rizzo’s lens”. – Wikipedia. Photo: Jane Fonda, Studio Willy Rizzo, Paris, 1966. (Photo by Willy Rizzo)

The three peaks of Lavaredo, or the “Tre Cime di Lavaredo” in Italian, are three distinctive battlement-like peaks, in the Sexten Dolomites of northeastern Italy. They are probably one of the best-known mountain groups in the Alps, and one of the most photographed in Italy. The three peaks are named, from east to west, "little peak" (Cima Piccola), "big peak" (Cima Grande) and "western peak" (Cima Ovest). The Cima Grande has an elevation of 2,999 metres (9,839 ft). It stands between the Cima Piccola, at 2,857 metres (9,373 ft), and the Cima Ovest, at 2,973 metres (9,754 ft).

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. (Photo by Kim Kyung-Hoon/Reuters)

Scenes from the popular Walking Street normally packed with tourists filled with bars and restaurants in Pattaya, Thailand on March 10, 2020. Thailand depends on tourism, currently tourist arrivals have plunged more than 50% and are expected to continue for months ahead. According to the World Health Organization (WHO) in Thailand there has been 59 confirmed cases of Coronavirus ( COVID-19 ) with 6 new, only one death with around 1,903 persons under treatment. Latest information on the Novel Coronavirus has infected more than 118,000 people and killed close to 4,300. (Photo by Paula Bronstein/Getty Images)

A tear rolls down the cheek of Karima el-Mahroug, also known as Ruby, a Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial, as she reads a statement to reporters during a protest outside the court house, in Milan, Italy, Thursday, April 4, 2013. The Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial has denounced what she says is psychological warfare being waged against her by Italian prosecutors. Ruby, read out a lengthy statement Thursday to a gaggle of reporters in front of Milan's courthouse denying she was a prostitute and insisting that prosecutors hear her side of the story. (Photo by Luca Bruno/AP Photo)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.