Tara Davis-Woodhall of the United States in action during the women's long jump final at the World Athletics Championships at the National Stadium in Tokyo on September 14, 2025. (Photo by Issei Kato/Reuters)

Colombian fans during the International Friendly match between Canada and Colombia at Sports Illustrated Stadium on October 14, 2025 in Harrison, Nueva Jersey. (Photo by Leonardo Ramirez/eyepix via ZUMA Press Wire/Alamy Live News)

A woman reacts as she attends Fet Gede, the traditional Haitian Day of the Dead celebration at the Port-au-Prince cemetery, in Haiti, on November 1, 2025. Fet Gede is the annual celebration when practitioners of vodou parade and believe to be possessed by the spirits of the dead. (Photo by Clarens Siffroy/AFP Photo)

Veteran racehorse Morestead models the world's first authentic Harris Tweed suit designed for a racing horse, which has been specially commissioned by William Hill to celebrate the opening of this year's Cheltenham Festival on March 15, 2016 in the U.K. (Photo by Joe Pepler/Rex Features/Shutterstock)

A woman sits in a cell at the Los Angeles County Women's jail in Lynwood, California April 26, 2013. (Photo by Lucy Nicholson/Reuters)

The new wax figure of American singer Jennifer Lopez is unveiled on May 21, 2003 at Madame Tussauds, London. The waxwork is the first ever blushing figure. (Photo by Bruno Vincent/Getty Images)

Inmates are seen at the transgender gallery in La Joya prison on the outskirts of Panama City, Panama February 3, 2016. Inmates of La Joya prison on the outskirts of Panama City are housed in makeshift cells amid heavy overcrowding, living in grimy conditions and with limited medical attention. Many prisoners in the Central American nation languish for years without being sentenced. (Photo by Carlos Jasso/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)