A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

A woman holds up the Chinese national flag as people gather to watch the the launch of the Long March 5B rocket carrying China's Tianhe space station core module from the Wenchang Spacecraft Launch Site in Hainan Province, China, 29 April 2021. China launched into space the core module of its space station, marking the beginning of a series of launch missions to complete the space station by the end of next year. (Photo by Matjaz Tancic/EPA/EFE)

Revellers enjoy themselves during Hogmanay celebrations in Edinburgh, Scotland on December 31, 2017. (Photo by Russell Cheyne/Reuters)

This picture taken on April 5, 2022 shows a train travelling along a bridge past cherry blossoms in Tokyo's Shinagawa district. (Photo by Philip Fong/AFP Photo)

The Christmas tree is lit at Rockefeller Center in the Manhattan borough of New York City, New York, U.S., November 30, 2022. (Photo by Jeenah Moon/Reuters)

In this February 22, 2018 photo, a couple looks at a bag made out of Venezuelan Bolivars in La Parada, Colombia, on the border with Venezuela. Each collector item produced by Richard Segovia, sitting at the table, fetches between $10 and $15 – a huge markup from the pennies that bolivars retrieve on Venezuela's black market. (Photo by Fernando Vergara/AP Photo)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)