A protester wears a face shield made of recycled plastic bottles by artist Leeroy New during a anti-terror bill rally at the University of the Philippines as they observe Independence Day on Friday, June 12, 2020, in Metro Manila, Philippines. Hundreds of activists in the Philippine capital staged protests Friday against a proposed anti-terror law they say could be used to quash dissent, ignoring police threats that they could be arrested for violating coronavirus restrictions against large public gatherings. (Photo by Aaron Favila/AP Photo)

French mounted bullfighter Lea Vicens is gored by her first bull and falls off her horse during the 31st day of the San Isidro bullfighting festival at Las Ventas bullring in Madrid, Spain, 10 June 2017. (Photo by Victor Lerena/EPA)

A young Sandinista guerrilla takes aim with his 45 pistol as he stands waiting to do combat with the Nicaraguan National Guard in Managua June 23, 1979. The guerrillas still occupy major parts of the Capitol City. (Photo by McLendon/AP Photo)

Frankie the Dinosaur, mascot of the United Nations Development Program “Don't Choose Extinction” visits Times Square spreading his climate-related message in New York on September 21, 2022. (Photo by Alex Kent/AFP Photo)

A sheep dressed in a jersey in the colors of the Colombian national soccer team is seen during a exhibition in Nobsa, Colombia June 1, 2014. The sheep is named Falcao, after the Colombian player. REUTERS/Jose Miguel Gomez

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.

Riders compete during a kok boru, also called ulak tartysh, a traditional game in which players on horseback manoeuvre with a goat's carcass and score by putting it into the opponents' goal outside Sokuluk village, 20 km (12,5 miles) west of Bishkek, Kyrgyzstan, Tuesday, March 30, 2021. (Photo by Vladimir Voronin/AP Photo)