A woman works on the production of grape molasses using various traditional methods and materials in the Huyuk district of Konya, Turkiye on September 22, 2024. Neighbors and relatives in the region work in cooperation in the production of molasses prepared by boiling in cauldrons. (Photo by Seyit Konyali/Anadolu via Getty Images)

German field telegraph operators at work in Warsaw. (Photo by Hulton Archive/Getty Images). 1st October 1914

Men at work at the Cardiff Institute, making huge baskets, unique in size and construction, for loading oil cake in South Africa. (Photo by Maeers/Getty Images). 1938

A boy sleeps in a hammock while his mother works at a brick kiln on the outskirts of Yangon February 1, 2015. (Photo by Soe Zeya Tun/Reuters)

This is the work of Keisuke Yamada, a banana artist Kotaku first profiled in 2011. To make these sculptures, Yamada, an electrician by trade, must work fast, or the banana will start to go bad.

Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

Many people have seen feathers as decorative items before. Today, ostrich, peacock and bird of paradise feathers can be seen in haute couture and in the costumes of indigenous peoples. They can be colorful and spectacular in their own right, but how much more stunning might they be when used as canvases for artists, eager to demonstrate their talent for the unusual? Alaskan-born and -bred artist Julie Thompson is an astounding exponent of this incredible art form.

Meet the snake-mimicking butterfly (Dynastor darius). While this slick master of disguise may show off impeccable imitation skills, prior to taking on this serpentine appearance it was simply a furry, nondescript caterpillar, and it looked pretty much how you would expect any old caterpillar to look.