A man gestures during a demonstration over police killings of people protesting against the imposition of tax hikes by the government, in Nairobi, Kenya on July 2, 2024. (Photo by Monicah Mwangi/Reuters)

A South African police officer speaks to residents of the densely populated Alexandra township east of Johannesburg Friday, March 27, 2020. (Photo by Jerome Delay/AP Photo)

A police officer holds a pistol during clashes with protesters near a burning tyre barricade in the Kariobangi slum of Nairobi, Kenya Friday, May 8, 2020. Hundreds of protesters blocked one of the capital's major highways with burning tires to protest government demolitions of the homes of more than 7,000 people and the closure of a major food market, causing many to sleep out in the rain and cold because of restrictions on movement due to the coronavirus. (Photo by Brian Inganga/AP Photo)

USA's Valarie Allman competes in the women's discus throw final during the World Athletics Championships at Hayward Field in Eugene, Oregon on July 20, 2022. (Photo by Ben Stansall/AFP Photo)

Police officers look on as protesters block the road with burning tyres and wood, during a mass protest the morning after preliminary results were released for five communes in Conakry on October 21, 2020. African monitors said on October 20, 2020, that Guinea's weekend election was conducted properly, but the political opposition to incumbent Alpha Conde, which has already claimed victory, dismissed it as fraudulent. (Photo by John Wessels/AFP Photo)

Circus artists perform at the International Circus Show started in Avenue Habib Bourguiba in Tunis, Tunisia on June 23, 2022. (Photo by Yassine Gaidi/Anadolu Agency via Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.