A visitor passes behind the sculpture “Puma-Dentist” made with plastic, wax and original heads of a puma and a hind by Austrian artist Deborah Sengl during an exhibition at the art gallery Deschler in Berlin April 15, 2008. (Photo by Fabrizio Bensch/Reuters)
A pilgrim walks on her knees to fulfil her vows, as pilgrims attend the 99th anniversary of the appearance of the Virgin Mary to three shepherd children, at the Catholic shrine of Fatima, Portugal May 12, 2016. (Photo by Rafael Marchante/Reuters)
A man dressed as a devil performs during a Krampus show in the southern Bohemian town of Kaplice, December 12, 2015. Each year people in traditional costumes and masks parade through the streets to perform an old ritual to disperse the ghosts of winter. (Photo by David W. Cerny/Reuters)
Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)
Couples kiss during a kissing contest in Wuhan, Hubei province, November 23, 2014. Some 20 couples attended the contest and the winners have been awarded an iPhone 6, according to local media. (Photo by Reuters/Stringer)
Women wearing face-kini masks lie on a beach to rest in Qingdao, Shandong province, China, June 3, 2015. A pale complexion is highly prized as delicate and feminine in China while dark skin suggests tanning caused by farming the fields or other lowly, outdoor work. (Photo by Reuters/Stringer)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)