Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Photographer Brian Finke spent nearly two years traversing the friendly skies, following the life of flight attendants in the air and on the ground, from Delta and Hawaiian Air, to Hooters Air, Southwest, Air France, British Airways, Air Asia, and dozens more. His images of flight attendants waving, applying makeup and deboarding plans while smiling appear as if they were ripped from an advertisement in a glossy magazine. Here: Tiger Airways, Singapore, 2006. (Photo by Brian Finke/The Washington Post)

In this May 24, 2017, photo, DriveTanks.com customers drive on a tank course at Ox Ranch in Uvalde, Texas. The ranch is a free-roaming range filled with exotic animals, some to hunt, and home to DriveTanks.com, where tourists pay to transport themselves into another era and another life. (Photo by Michael Ciaglo/Houston Chronicle via AP Photo)

To an outsider, their passion is at times illegal and often on the verge of life and death. But climbing rooftops of high-rise buildings and exploring abandoned facilities is in the blood of these young Muscovites. The small group calls itself “Rudex”, which stands for “roof and decay exploration”, and is akin a Western youth craze known as urbex or “urban exploration” of man-made structures. Here: Urban explorer Vad Him of Rudex team jumps whilst on a rooftop in Moscow, Russia, August 14, 2017. (Photo by Maxim Shemetov/Reuters)

These timeless postcards offer an eye-opening glimpse into life in Japan in the early 20th century. Taken from hand-colored photographs, the postcards showcase the still beauty of the country, depicting a nation on the cusp of modernization. The images feature solemn fishermen, bustling streets, temples and shrines: a country yet to be influenced by Western culture. The tinting effect brings out the rich colors of the natural surroundings, with trees, flowers and cherry blossoms jumping from the original black-and-white images. Here: Toyokuni Shrine Nakanoshima, Osaka, Japan. (Photo by New York Public Library/Caters News)

Tibetan monks create an intricate picture made from coloured sand at St. Mungo Museum of Religious Life and Art on November 23, 2011 in Glasgow, Scotland. The monks, from the Panchen Lama's Monastery, are creating a Sand Mandala as part of a Tantric Buddhist ritual, invoking the presence of the Buddha in a design representing the palace of the deities. (Photo by Jeff J Mitchell/Getty Images)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.