Nikolay Skidan, a hunter, carries the skin of a wolf in the village of Khrapkovo, Belarus February 1, 2017. Wolf fur grows thickest in winter, so Belarussian hunter Vladimir Krivenchik only sets his traps once snow is on the ground. He and his wife live on the edge of the Chernobyl exclusion zone – 2,600 square km of land on the Belarus-Ukraine border that was contaminated by a nuclear disaster in 1986. (Photo by Vasily Fedosenko/Reuters)

A woman dressed in a costume poses for a photograph at Tokyo Comic Con at Makuhari Messe in Chiba, Japan December 2, 2016. (Photo by Issei Kato/Reuters)

A girl participates in a New Year calligraphy contest in Tokyo, Japan, January 5, 2017. (Photo by Kim Kyung-Hoon/Reuters)

A participant in costume uses a mobile phone at a Halloween event in Kawasaki, south of Tokyo, Japan October 29, 2017. (Photo by Kim Kyung-Hoon/Reuters)

English singer-songwriter Dua Lipa early November 2022 shares “miscellaneous” photos from Japan. (Photo by dualipa/Instagram)

Miners carry a goats head for burial in the crater as part of an annual offering ceremony on the Ijen volcano on December 17, 2013 in Yogyakarta, Indonesia. The ritual is performed by the sulfur miners of Mount Ijen who slaughter a goat and then bury the head in the crater of mount Ijenn. The sacrifice is performed to ward off potential disasters for the next year. (Photo by Ulet Ifansasti/Getty Images)

From the 1940s through the 1960s, the Alfred Mainzer Company of Long Island City, NY published a series of linen and photochrome humorous cat postcards illustrated by Eugen Hartung (or Hurtong) (1897–1973), sometimes referred to as “Mainzer Cats”. These postcards normally illustrate settings that are filled with action, often with a minor disaster just about to occur. While the dressed cats were by far the most popular and most plentiful cards, Hartung also painted other dressed animals – primarily mice, dogs, and hedgehogs.

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.