Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

Julia Gunthel aka Zlata is just a lovely person who lives and operates in Germany. She is just 27 year-old and is considered to be the absolute most flexible/ bendiest person in the world. Remarkably she is also included in the Guinness Book of Records for a bit. Julia can very quickly hide in a package of 50x50 cm. She currently broke many earth files simply because of her unbelievable flexibility.

241543903 (a.k.a “Heads in Freezers”) is a numerical keyword associated with a photo meme that involves people taking pictures with their heads in the freezer & sharing them online. By tagging a series of image files with a cryptic number, a high level of search engine optimization can be easily achieved. As a result, typing “241543903” into image search engines like Google Images successfully yields pages after pages of pictures showing people’s heads in freezers.
In 2009, David Horvitz started the “Heads in Freezers” meme. Participants took photos of their heads in freezers, tagged them with “241543903” and uploaded them to social media sites like Tumblr.

In this March 7, 1991 file photo, a U.S. Marine patrol walks across the charred oil landscape near a burning well during perimeter security patrol near Kuwait City. Twenty five years after the first U.S. Marines swept across the border into Kuwait in the 1991 Gulf War, American forces find themselves battling the extremist Islamic State group, born out of al-Qaida, in the splintered territories of Iraq and Syria. The Arab allies that joined the 1991 coalition are fighting their own conflicts both at home and abroad, as Iran vies for greater regional power following a nuclear deal with world powers. (Photo by John Gaps III/AP Photo)

In this Sunday, August 5, 2012 file photo South Africa's Oscar Pistorius starts in the men's semi-finals of the 400-meter in the Olympic Stadium at the 2012 Summer Olympics, London. Pistorius could be granted parole on Friday, Nov. 24, 2023 after nearly 10 years in prison for killing his girlfriend. The double-amputee Olympic runner was convicted of a charge comparable to third-degree murder for shooting Reeva Steenkamp in his home in 2013. He has been in prison since late 2014. (Photo by Anja Niedringhaus/AP Photo)

A policeman reacts during a clash with protestors during a protest against the proposed changes to France's working week and layoff practices, in Lyon, central France, Thursday, April 28, 2016. French protesters are back on the streets over proposed reforms to the country's labor rules and strikers have forced cancellations and delays at two airports serving Paris. (Photo by Laurent Cipriani/AP Photo)

On the western side of Mount Hood lies the longest glacier cave system in the contiguous United States. In 2012, these caves were mapped to a combined length of 7,166.8 feet by cave explorers Brent McGregor and Eddy Cartaya. Currently, the total passage length is hundreds of feet less. Glaciers are frozen rivers; they are always moving and changing... (Photo and caption by Josh Hydeman)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)