A group of women take photos of a giant donut installation outside the Maddox Gallery in Mayfair, London on Thursday June 24, 2021, to celebrate a new exhibition entitled Villainy, a body of work by an anonymous street artist from New York who operates under the alias, “Jerkface”. (Photo by Yui Mok/PA Wire Press Association)

Fishmongers cut and clean fish at the Soumbedioune fish market in Dakar, Senegal, May 31, 2022. In Senegal, fish and seafood represent more than 40% of the animal protein intake in the diet. According to a U.S. report, one in six people work in the fisheries sector. (Photo by Grace Ekpu/AP Photo)

Valeria Ruiz, 10, from Colombia, does a cartwheel while visiting the U.S. Capitol, as Republican members of the House continue to work towards electing a new Speaker of the House in Washington, U.S., October 9, 2023. (Photo by Kevin Lamarque/Reuters)

Young Legong dancer portrait, Ubud, Bali on October 25, 2023. While the childrens' parents are out working, in pursuits including farming, fishing and clothes making, their offspring spend the long sunny days making their own fun, and as these pictures show not a minute is wasted. (Photo by David Lazar/Animal News Agency)

French-Swiss street artist Saype poses as he works on his artwork on a floating barge over the Golden Horn in Istanbul, Turkey on October 23, 2020, as part of the “Beyond Walls” project to create a spray-painted “human chain” across the world to encourage humanity and equality. (Photo by Murad Sezer/Reuters)

The Duchess of Cambridge comes down a slide during a visit to the LEGO Foundation PlayLab at the Carlsberg Campus, University College Copenhagen, Denmark, on day one of a two-day working visit with The Royal Foundation Centre for Early Childhood on Tuesday, February 22, 2022. (Photo by John Sibley/PA Wire Press Association)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.