“The Eiffel Tower (French: La Tour Eiffel, nickname La dame de fer, the iron lady) is a puddle iron lattice tower located on the Champ de Mars in Paris. Built in 1889, it has become both a global icon of France and one of the most recognizable structures in the world. The tower is the tallest building in Paris and the most-visited paid monument in the world. Named for its designer, engineer Gustave Eiffel, the tower was built as the entrance arch to the 1889 World's Fair. The tower stands 324 metres (1,063 ft) tall, about the same height as an 81-storey building”. – Wikipedia

Photo: French engineer Alexandre Gustave Eiffel (1832–1923), left, poses high on the steps of the completed Eiffel Tower, which he designed for the 1889 Paris Exposition. (Photo by General Photographic Agency/Getty Images)

Talented French artist, Pierre Beteille, is skillful in manipulation of portraits (specially his own self portraits) using Photoshop. This is how he describes himself: “I am not a photographer or an artist, I just make images… I shoot very average or even bad photos that I try to improve thanks to Photoshop”…

Photo: “En attendant d'avoir des balles”...., 2007 (Photo by Pierre Beteille)

A group of tattooed women from the Muun tribe who inhabit the hills of the Arakan state. The design, known as the letter B-pattern, is common in the Mindat area. It is composed of dots, lines and occasionally circles, in February, 2015, in Myanmar, Burma. With spider webs, B-patterns and crossed lines painstakingly inked on their faces these stunning photographs show the tattooed women of Burma. French photographer Eric Lafforgue travelled to the Chin, Rakhine and Arakan states of northwestern Myanmar to capture the rare facial designs. (Photo by Eric Lafforgue/Barcroft Media)

Back in 2010, French photographer Antoine Bruy began hitchhiking around Europe without any fixed route. Along his travels, he met people who had entirely abandoned city life in favour of an isolated country existence they found more fulfilling. Bruy began seeking out people who lived off-the-grid. After three years on the road, staying in makeshift houses and on community farms, he has released Scrublands, a documentation of the lifestyle. While each living situation is different, Bruy found that all the people he met shared a common desire to escape the rat race and achieve a quieter life in harmony with nature. (Photo by Antoine Bruy)

French artist Thomas Lamadieu, also know as Roots Art, must really love looking at the sky. Every time he looks up, Thomas sees a potential canvas where the building rooftops frame the sky. He photographs it and uses the odd sky shapes to create whimsical line drawings. “My artistic aim is to show a different perception of urban architecture and the everyday environment around us, what we can construct with a boundless imagination,” says Thomas. (Photo by Thomas Lamadieu)

“In a nutshell and to prevent my english readers from experiencing eye bleeding after having read too many syntax errors, I’m a french journalist – I work as an editor, not as photographer – who happens to be nuts about photography. Being the happy owner of too many Leica M for a man to shoot, I spend most of my free time shooting my friend and my town, Strasbourg, in b&w and sometimes in colors”. – Manuel Plantin

Photo: “Even detectives got the blues”. Strasbourg, 2011 (Photo by Manuel Plantin)

Barking mad owners have proved they really do look like their pets – by performing impressions of their own dogs. In a series of hilarious “paw”-traits, owners pull their best faces to look like their pooches. Snapped by photographer Ines Opifanti, people stuck their tongues out, yawned and tilted their heads in curiosity at the camera. Opifanti, from Hamburg, Germany, came up with the idea while interacting with her own dogs, two pug/French bulldog crossbreeds. Here: Amina and Zazou the dog. (Photo by Ines Opifanti/Caters News)

René Maltête was a French photographer and poet. His pictures were based on the element of surprise and incongruity, often having a humorous and even philosophical side to them. At the start of his career, he often had to resort to manual labor as an addition to his to his profession in order to pay the bills. However, René's talent of seeing and being able to capture in time humorous moment of mundane, day-to-day life payed off in the end. Over the years, his works were published in a number of magazines in addition to numerous exhibitions that were held worldwide to popularize his work. (Photo by René Maltête)