A man takes a photo as a puff of smoke comes from Mount Agung volcano, taken from the Rendang sub-district in Karangasem Regency on Indonesia's resort island of Bali on November 23, 2017. Thousands living in the shadow of the rumbling volcano on Indonesia's resort island of Bali fled on November 22 as fears grow that it could erupt for the first time in more than 50 years. (Photo by Sonny Tumbelaka/AFP Photo)

A woman takes photos as Mount Agung volcano sends up another plume of smoke, seen from the Kubu subdistrict in Karangasem Regency on Indonesia's resort island of Bali on July 5, 2018. Mount Agung roared to life again on July 2, belching a plume of ash 2,000 metres (6,500 feet) high, as well as temporarily shuttering the airport and grounding hundreds of flights after erupting the week before. (Photo by Sonny Tumbelaka/AFP Photo)

People look at smoke and flame rising from the Nevskaya Manufaktura textile factory founded by English merchant J. Thornton in 1841, in St. Petersburg, Russia, Monday, April 12, 2021. The emergencies ministry said the fire had broken out over several floors of the red-brick Nevskaya Manufaktura building on the Oktyabrskaya Embankment of the Neva River. (Photo by Dmitri Lovetsky/AP Photo)

I wanted to create the smoke effects on animals I used on some few of my female subjects.
The hardest part was that while there were only faces, here there was the whole body that needed to be “smokeified”.

Every year, in the Rostov region of Russia, a group of 40 young and not so young rural workers compete in the Bison Track Show, or more affectionately known as: Russian Flying Tractor Racing. In front of crowds numbering up to 30,000 people, a series of smoke spilling, monstrous farming machines tear round an 8km mud track, plowing through lakes and dirt mounds, their turbos screaming and tyres scrabbling to find grip.

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

A Thai man smokes a cigarette as he sits in the flooded streets October 10, 2011 in Ayutthaya, Thailand. Around 200 factories closed in the central Thai province of Ayutthaya because of flooding, which is posing a threat to Bangkok as well. Over 260 people have died in flood-related incidents since late July according to the Department of Disaster Prevention and Mitigation. Some areas of the country are experiencing the worst flooding in 50 years, mainly in the centre, north and northeast. (Photo by Paula Bronstein /Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.