A swarm of starlings flies over the Altare della Patria monument (Unknown soldier) in the city centre of Rome during sunset, on November 27, 2018. (Photo by Vincenzo Pinto/AFP Photo)

Women spray their designs on a wall during a graffiti class offered by the LATA 65 organization in Lisbon, Portugal May 14, 2015. The LATA 65 organization is an initiative for the elderly in the area of urban art. Since it began in 2012, they have introduced the world of graffiti to over 100 senior citizens, giving workshops in different neighborhoods of Lisbon. (Photo by Rafael Marchante/Reuters)

Elvis Presley tribute artist Bruce Stewart (L) of Georgian Bay, Ontario passes Lorenz Francke of Scarborough, Ontario during the four-day Collingwood Elvis Festival in Collingwood, Ontario July 25, 2015. Featuring over 120 Elvis tribute artists, it is the world's largest Elvis festival and last year hosted 30,000 visitors. (Photo by Chris Helgren/Reuters)

A woman looks at La Paz city from the Jacha Qhatu cable car station in El Alto, July 23, 2015. Bolivia already has the largest urban cable car system in the world. Now the booming country is tripling the size of the network and will soon have nine lines whizzing above the administrative capital of La Paz. (Photo by David Mercado/Reuters)

Giant panda Jia Jia enjoys her birthday cake made with ice and vegetables at Ocean Park in Hong Kong, Tuesday, July 28, 2015 as she celebrates her 37-year-old birthday. Jia Jia broke the Guinness World Records title for “Oldest Panda Living in Captivity” on Tuesday. (Photo by Kin Cheung/AP Photo)

Bibi rides her bike on the Playa during the Burning Man 2015 “Carnival of Mirrors” arts and music festival in the Black Rock Desert of Nevada, August 31, 2015. Approximately 70,000 people from all over the world are gathering at the sold-out festival to spend a week in the remote desert to experience art, music and the unique community that develops. (Photo by Jim Urquhart/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.