A walrus takes centre stage after barging another out of the way to be in a photograph in Svalbard, between mainland Norway and the North Pole in January 2025. (Photo by Olav Thokle/Syndicated Photos/Solent News)

A sick California sea lion with possible domoic acid poisoning is rescued to be evaluated by volunteers from CIMWI (Channel Islands Marine & Wildlife Institute) in Santa Barbara, California, on March 25, 2025. Over a hundred sea lions, dolphins and other marine mammals, including birds, have been sickened by domoic acid poisoning from algal blooms in Southern California since February, US media reported. (Photo by David Swanson/AFP Photo)

An osprey flies with a fish in its talons at the Sebastian Inlet State Park in Melbourne Beach, Florida on April 1, 2025. (Photo by Ronen Tivony/ZUMA Press Wire/Rex Features/Shutterstock)

Aryna Sabalenka of Belarus, right, and Coco Gauff of United States dance during a practice session ahead of the Wimbledon Championships in London, Friday, June 27, 2025. (Photo by Kin Cheung/AP Photo)

A squirrel begs for food from a scooter driver in a park in Moscow on September 2, 2025. (Photo by Alexander Nemenov/AFP Photo)

English National Opera presents Georges Bizet's “Carmen” at the London Coliseum in London on October 6, 2025. (Photo by Jane Hobson/Rex Features/Shutterstock)

The Fuel Girls with their fire and pyro performance on stage in London on September 20, 2025. The Big London Tattoo Show, the UK's largest tattoo convention, is in full swing at ExCeL London, transforming the venue into a bold celebration of tattoo artistry and alternative culture. (Phoot by Imageplotter/Alamy Live News)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)