First responders work at the site of a deadly bus crash, in Guatemala City, Guatemala, on February 10, 2025. (Photo by Josue Decavele/Reuters)

A clown performs next to the Monument to the Revolution as he takes part in the Latin American Clown Convention in Mexico City, Mexico, October 21, 2015. The convention will be held from October 19 to 22 in Mexico City. (Photo by Henry Romero/Reuters)

A statue of The Earl of Beaconsfield looks on as a giant mechanical spider sits on the side of the derelict Concourse tower in Liverpool city centre on September 3, 2008 in Liverpool, England. The 50ft tall spider was commissioned for the city's European Capital of Culture year and will begin moving to explore the city operated by artists from French theatre company La Machine. (Photo by Christopher Furlong/Getty Images)

Police walk past a burning car during riots in Birmingham City Centre on August 8, 2011 in Birmingham, England. After three nights of rioting and looting in and around London, the chaos is starting to spread to other cities around Britain. (Photo by Jeff J Mitchell/Getty Images)

People walk under Australia's iconic landmark Harbour Bridge in Sydney on April 3, 2019, as heavy fog blankets the city. Low visibility due to heavy fog affected traffic in the city and caused flight delays at the Sydney airport. (Photo by Saeed Khan/AFP Photo)

Masks of Republican presidential candidate Donald Trump (C) and Joaquin "El Chapo" Guzman (2nd L) are seen at Grupo Rev in the Mexican city of Cuernavaca near Mexico City, October 14, 2015. (Photo by Henry Romero/Reuters)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)

“Hatem Moussa joined The Associated Press as a photojournalist in 1998. Since then, the Gaza City-based Moussa has covered repeated rounds of Israeli-Palestinian fighting in Gaza, including the wars of 2008-9, 2012 and 2014”. – Associated Press. Photo: A Palestinian youth jumps into the Mediterranean sea on the beach at the port of Gaza City, Gaza, Monday, August 27, 2012. (Photo by Hatem Moussa/AP Photo)