A pilgrim walks on her knees to fulfil her vows, as pilgrims attend the 99th anniversary of the appearance of the Virgin Mary to three shepherd children, at the Catholic shrine of Fatima, Portugal May 12, 2016. (Photo by Rafael Marchante/Reuters)

A woman talks to a man as two children play inside a wrecked car at a camp for displaced people in Port-au-Prince, Haiti, March 6, 2016. (Photo by Andres Martinez Casares/Reuters)

Children dressed up as Hindu Lord Krishna pose during Janmashtami festival celebrations marking the birth anniversary of Krishna in Agartala, India August 24, 2016. (Photo by Jayanta Dey/Reuters)

Rita Ora leaving her hotel to go to BBC Children in need on November 07, 2018 in London, England. (Photo by Mark R. Milan/GC Images)

Children play on top of an old plane's fuselage at a dump site in Paranaque city, Metro Manila, Philippines January 21, 2017. (Photo by Ezra Acayan/Reuters)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.