A girl plays on a pile of discarded flowers outside a market, the day after the Diwali celebrations in Mumbai, India October 31, 2016. (Photo by Shailesh Andrade/Reuters)

Jockeys spur buffalos during the Makepung buffalo races at Jembrana in Bali, Indonesia on October 23, 2016. Makepung is a tradition for farmers to celebrate a bumper harvest in Bali. (Photo by Kadek Raharja/Xinhua/Barcroft Images)

A Ukrainian woman begs Ukrainian President Petro Poroshenko to stop the bombing in Donetsk after shell hit the residential area where she lives, killing two civilians in Donetsk's Kyibishevsky district, on January 29, 2015. (Photo by Manu Brabo/AFP Photo)

A fan dressed as “Loki” poses before the European premiere of “Avengers: Age of Ultron” at Westfield shopping centre in Shepherds Bush, London April 21, 2015. (Photo by Stefan Wermuth/Reuters)

Girls accompany grooms as they sit separate from the brides during a mass wedding for 150 couples in Beit Lahiya town in the northern Gaza Strip July 20, 2015. The wedding was funded by al-Basheer Society for Relief and Development. (Photo by Suhaib Salem/Reuters)

A Nepalese Hindu devotee bathes in the Bagmati River on her way to the Pashupatinath Temple to offer prayers to Lord Shiva, Hindu god of destruction during Shravan festivities in Sundarijal, on the outskirts of Kathmandu on August 3, 2015. According to the Nepali calendar, Shravan is considered the holiest month of the year with each Monday of the month known as Shravan Somvar when worshippers offer prayers for a happy and prosperous life. (Photo by Prakash Mathema/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A migrant boy sits on railway tracks at a train station in Tovarnik, Croatia, September 20, 2015. (Photo by Antonio Bronic/Reuters)